Tag Archives: Popeye

Phil’s Reviews: Stuff I Bought #240

Superior Spider-Man #1 — Writer: Dan Slott;  Art: Ryan Stegman You know how some books have an intriguing concept or creative team on paper, and then in practice turn out to be not so good? Well, thankfully this comic is the opposite: an idea with the potential to be really stupid, but that in execution turns out to be surprisingly effective. I’m assuming that at this date spoilers aren’t necessary to sketch the situation: Otto Octavius, Dr. Octopus, was dying and figured out a way to imprint his brain waves on Peter Parker (and vice versa), in effect switching minds … Continue reading

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Phil’s Reviews: Stuff I Bought #229

Daredevil #17 — Writer: Mark Waid;  Art: Michael Allred Guest artist Allred puts this book at the top this week (although it doesn’t need a lot of help — the letters page mentions the three Eisner awards it won this year, for best writer, best continuing series and best single issue (#7), and also lists the great artists it’s had  — the Riveras, Marcos Martin and Chris Samnee — so it’s been doing just fine, thanks). The story’s little more than treading water from last issue’s Matt/Foggy split — DD muses about an earlier case he and Nelson argued over … Continue reading

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Phil’s Reviews: Stuff I Bought #224

Popeye #2 (of 4) — Writer: Roger Langridge;  Art: Ken Wheaton and Tom Neely I raved about the first issue of this, and the second is just as good, although on a smaller scale — instead of an ocean quest and the Sea Hag, we get one of those neighborhood domestic comedies that Segar was so good at, with Popeye dealing with a rival for Olive’s affections (in one of the Easter eggs Langridge has sprinkled throughout the book, it turns out to be Willie Wormwood, the “actor” who played the Snidely Whiplash-like bad guys in Segar’s early, pre-Popeye versions of Thimble … Continue reading

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Phil’s Reviews: Stuff I Bought #221

Popeye #1 (of 4) — Writer: Roger Langridge;  Art: Bruce Ozella Snarked #7 — Writer/Artist: Roger Langridge Back in the ’70s, when I was first discovering America’s long, rich history of newspaper comics, E. C. Segar’s Thimble Theater, the strip that birthed Popeye in 1928, was one of my first encounters, and it was a revelation: tough, funny, adventurous and told with a sureness of line and vision that puts it in the top ten of everybody’s best-of lists. This new comic doesn’t reach that peak, but it comes closer than anyone else has since Segar’s death in 1938: Ozella … Continue reading

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