New Comics

All Star Superman #12 — Writer: Grant Morrison;  Pencils: Frank Quitely;  Inks: Jamie Grant Morrison’s endings often feel a tad disappointing (I’m thinking of his last Invisibles arc, and his last New X-Men one, too — I’m still not sure what was up with that alternate-future stuff), but I think it’s mostly just reader sadness that he’s leaving. That’s certainly true here: at first blush, this felt a little… off, anti-climactic… but on rereading — and considering all twelve issues as a unit — it makes perfect sense; the absent-hero, waiting-for-the-return conclusion is reminiscent of the Arthurian myths, and ties … Continue reading →

War Heroes #2 (of 6) — Writer: Mark Millar;  Art: Tony Harris For a book that’s supposed to be about super-powered soldiers, we get very little actual super-powers here; instead, it’s a standard basic-training, sadistic-drill-sergeant riff, crossed with a caper-driven plot involving a group of recruits who’ve entered the program for nefarious purposes. Oh, and there’s a half-page splash of an erect penis, forecast only by a tiny “mature readers” label on the cover. Thanks, Image and Mark Millar: that’s just the kind of juvenile, gratuitous, stupid gesture that’s sure to get scores of unsuspecting retailers in trouble — and … Continue reading →

Kick Drum Comix #1 — Writer/Artist: Jim Mahfood For $6, you get 48 pages of Mahfood, beautifully colored on glossy paper; the first story, “Death of the Popmaster,” is an over-the-top B-movie tale involving monsters, rock stars and lots of shooting and blood, while the second, “Coltrane’s Reed,” is just the kind of coming-of-age story that its title suggests, skillfully done. Mahfood’s art is more accomplished and confident here than it’s ever been (the coloring and larger size of the pages really makes it pop), and he delivers a couple of perfect, poster-ready splash pages, plus an attractive cover.  If … Continue reading →

Deadpool #1 — Writer: Daniel Way;  Pencils: Paco Medina;  Inks: Juan Vlasco Secret Invasion tie-in (although, oddly, it’s not given the normal crossover logo on the cover), as Wade plays Bugs Bunny and the Skrulls are just so many green, super-powered Elmer Fudds. Way’s solid on the character, as he demonstrated during his recent Wolverine: Origins guest-shot, so Deadpool fanatics should be pleased; somehow, I’ve never been able to warm up to Deadpool (his breaking of the fourth wall, and invulnerability, make him seem like a Marvelized, more-deadly-but-less-amusing version of Ambush Bug), so, while this was amusing, it wasn’t quite … Continue reading →

The Boys #22 — Writer: Garth Ennis;  Art: Darick Robertson A quiet issue (if they were all plane crashes and heads exploding, it wouldn’t be as much fun), and while most of it’s on the history of Vought-American and The Boys, and their first encounter, the real focus is on Hughie and Annie’s slow-but-steady romance. How Ennis handles these two is going to make or break the whole book — they’re the emotional center, and the viewpoint characters, and their story can be either tragic-but-dramatic or predictable-but-satisfying. The latter is what happened in Preacher (Ennis has a reputation for being … Continue reading →